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"Little Fluffy Clouds" makes extensive use of clips from an interview with Rickie Lee Jones[4] in which she recalls picturesque images of her childhood. Critics and fans sometimes attribute the odd nasal tonality of Jones' voice to drug use, though Jones later claimed that it was the result of a heavy cold.[5] The samples are widely believed to have come from a conversation between Jones and LeVar Burton on the children's television programme Reading Rainbow,[3] but in fact originated from an interview disc that was issued with some promotional boxed copies of her album Flying Cowboys. The interview was not conducted by Burton.[6]
Interviewer: "What were the skies like when you were young?"
Jones "They went on forever,
When I We lived in Arizona, and the skies always had little fluffy clouds in 'em, and, uh... they were long..and clear and. there were lots of stars at night. And, uh, when it would rain, it would all turn - it- They were beautiful, the most beautiful skies as a matter of fact. Um, the sunsets were purple and red and yellow and on fire, and the clouds would catch the colours everywhere. That's uh, neat 'cause I used to look at them all the time, when I was little. You don't see that. You might still see them in the desert."
Jones' record company was upset at the unauthorized use of her voice and initially sought to pursue a claim via the legal system.[3] Big Life chose to settle out of court for an undisclosed sum of money for use of her voice on The Orb's recording: in 2016, Paterson stated that the record company paid a total of $5,000 to use the sample.[7]
The song also uses a harmonica sample from Ennio Morricone's The Man With The Harmonica (from the film Once Upon a Time in the West) and parts of Electric Counterpoint, a piece for multi-tracked guitars composed by Steve Reich and recorded by Pat Metheny. According to Glover, the inspiration for the track came when an Orb fan who worked in a Birmingham record shop sent him a tape with Electric Counterpoint on one side and the Rickie Lee Jones interview on the other.[7] Reich was "genuinely flattered"[8] by The Orb's use of his work and instructed his record company not to sue.[9] Despite this The Orb did receive a letter from Reich's lawyers several years later, but Paterson described Reich as "a proper gentleman: he wanted 20% from then on and asked us to do a remix of one of his tunes, which we did".[7] Alex Paterson also suggested that the drum track is sampled: “If anyone actually knew where the drums on 'Little Fluffy Clouds' came from, they'd all just die, but I'm not at liberty to tell. Record companies have always warned me, ‘Don't tell anyone where you got your samples until we get them cleared!’”.[10] He later said that the drum track was sampled from Harry Nilsson's album Nilsson Schmilsson,[11] and others have specifically identified this as a sample of Jim Gordon's drum solo from "Jump Into the Fire", slowed down approximately from 45 to 33 rpm.[12] The use of a slowed-down "Jump Into the Fire" was acknowledged by Paterson in a 2016 interview with The Guardian, in which he also said the track included a Lee "Scratch" Perry sample.[7]
In 2006 a previously uncredited sample from "Little Fluffy Clouds" was recognised by MTV label director Dan Waite, who identified the first voice heard on the song as that of his cousin John Waite. A 1990 John Waite BBC Radio 4 broadcast for the programme You and Yours was sampled and features at the beginning of the track. John Waite can clearly be heard saying, "Over the past few years, to the traditional sounds of an English summer, the drone of lawnmowers, the smack of leather on willow, has been added a new noise...". In 2013 the Orb management asked John Waite to join them on their 25th Anniversary tour to read the classic line live on stage.
Thanks for adding the background. It adds enjoyment and clarity to the music.