The Electric Prunes originally formed as The Sanctions at Taft High School in Los Angeles, renaming themselves in 1966. They were introduced to record producer Dave Hassinger, and after a series of rehearsals at Leon Russell's house released a debut single, "Ain't It Hard". Despite its commercial failure, Reprise Records agreed that the band could record a second single.
Convinced that the band could not write their own songs, Hassinger sought material from the professional songwriting team of Annette Tucker and lyricist Nancie Mantz. One of the tunes was "I Had Too Much to Dream (Last Night)", a song that, according to some sources was originally conceived as an orchestral piano ballad. However, according to Tucker, "I came up with the title one day and called Nancie. She loved it and we wrote it the next day in one half hour....The words were there and my melody came easily. I was influenced by the Rolling Stones at the time and that is how I heard that song being recorded....Nancie and I envisioned this as a rock song." A demo version recorded for Hassinger by singer-songwriter Jerry Fuller (in some sources wrongly identified as Jerry Vale), may have been the source of the story of the song's origin as a ballad.
At the time, the Electric Prunes comprised singer James Lowe, lead guitarist Ken Williams, rhythm guitarist James "Weasel" Spagnola, bassist Mark Tulin, and drummer Preston Ritter. The oscillating, reversed guitar which opens the song originated from the rehearsals at Russell's house, where Williams recorded with a 1958 Gibson Les Paul guitar with a Bigsby vibrato unit. According to Lowe, "We were recording on a four-track, and just flipping the tape over and re-recording when we got to the end. Dave cued up a tape and didn't hit 'record,' and the playback in the studio was way up: ear-shattering vibrating jet guitar. Ken had been shaking his Bigsby wiggle stick with some fuzztone and tremolo at the end of the tape. Forward it was cool. Backward it was amazing. I ran into the control room and said, 'What was that?' They didn't have the monitors on so they hadn't heard it. I made Dave cut it off and save it for later."
The Electric Prunes originally formed as The Sanctions at Taft High School in Los Angeles, renaming themselves in 1966. They were introduced to record producer Dave Hassinger, and after a series of rehearsals at Leon Russell's house released a debut single, "Ain't It Hard". Despite its commercial failure, Reprise Records agreed that the band could record a second single.
Convinced that the band could not write their own songs, Hassinger sought material from the professional songwriting team of Annette Tucker and lyricist Nancie Mantz. One of the tunes was "I Had Too Much to Dream (Last Night)", a song that, according to some sources was originally conceived as an orchestral piano ballad. However, according to Tucker, "I came up with the title one day and called Nancie. She loved it and we wrote it the next day in one half hour....The words were there and my melody came easily. I was influenced by the Rolling Stones at the time and that is how I heard that song being recorded....Nancie and I envisioned this as a rock song." A demo version recorded for Hassinger by singer-songwriter Jerry Fuller (in some sources wrongly identified as Jerry Vale), may have been the source of the story of the song's origin as a ballad.
At the time, the Electric Prunes comprised singer James Lowe, lead guitarist Ken Williams, rhythm guitarist James "Weasel" Spagnola, bassist Mark Tulin, and drummer Preston Ritter. The oscillating, reversed guitar which opens the song originated from the rehearsals at Russell's house, where Williams recorded with a 1958 Gibson Les Paul guitar with a Bigsby vibrato unit. According to Lowe, "We were recording on a four-track, and just flipping the tape over and re-recording when we got to the end. Dave cued up a tape and didn't hit 'record,' and the playback in the studio was way up: ear-shattering vibrating jet guitar. Ken had been shaking his Bigsby wiggle stick with some fuzztone and tremolo at the end of the tape. Forward it was cool. Backward it was amazing. I ran into the control room and said, 'What was that?' They didn't have the monitors on so they hadn't heard it. I made Dave cut it off and save it for later."
The Electric Prunes originally formed as The Sanctions at Taft High School in Los Angeles, renaming themselves in 1966. They were introduced to record producer Dave Hassinger, and after a series of rehearsals at Leon Russell's house released a debut single, "Ain't It Hard". Despite its commercial failure, Reprise Records agreed that the band could record a second single.
Convinced that the band could not write their own songs, Hassinger sought material from the professional songwriting team of Annette Tucker and lyricist Nancie Mantz. One of the tunes was "I Had Too Much to Dream (Last Night)", a song that, according to some sources was originally conceived as an orchestral piano ballad. However, according to Tucker, "I came up with the title one day and called Nancie. She loved it and we wrote it the next day in one half hour....The words were there and my melody came easily. I was influenced by the Rolling Stones at the time and that is how I heard that song being recorded....Nancie and I envisioned this as a rock song." A demo version recorded for Hassinger by singer-songwriter Jerry Fuller (in some sources wrongly identified as Jerry Vale), may have been the source of the story of the song's origin as a ballad.
At the time, the Electric Prunes comprised singer James Lowe, lead guitarist Ken Williams, rhythm guitarist James "Weasel" Spagnola, bassist Mark Tulin, and drummer Preston Ritter. The oscillating, reversed guitar which opens the song originated from the rehearsals at Russell's house, where Williams recorded with a 1958 Gibson Les Paul guitar with a Bigsby vibrato unit. According to Lowe, "We were recording on a four-track, and just flipping the tape over and re-recording when we got to the end. Dave cued up a tape and didn't hit 'record,' and the playback in the studio was way up: ear-shattering vibrating jet guitar. Ken had been shaking his Bigsby wiggle stick with some fuzztone and tremolo at the end of the tape. Forward it was cool. Backward it was amazing. I ran into the control room and said, 'What was that?' They didn't have the monitors on so they hadn't heard it. I made Dave cut it off and save it for later."