“Lou Reed’s Berlin,” Davis’s review began, “is a disaster, taking the listener into a distorted and degenerate demimonde of paranoia, schizophrenia, degradation, pill-induced violence, and suicide. There are certain records that are so patently offensive that one wishes to take some kind of physical vengeance on the artists that perpetrate them.” He concluded that Berlin was Reed’s “last shot at a once-promising career. Goodbye, Lou.”
>“Lou Reed’s Berlin,” Davis’s review began, “is a disaster, taking the listener into a distorted and degenerate demimonde of paranoia, schizophrenia, degradation, pill-induced violence, and suicide. There are certain records that are so patently offensive that one wishes to take some kind of physical vengeance on the artists that perpetrate them.” He concluded that Berlin was Reed’s “last shot at a once-promising career. Goodbye, Lou.”
a disaster, taking the listener into a distorted and degenerate demimonde of paranoia, schizophrenia, degradation, pill-induced violence, and suicide. There are certain records that are so patently offensive that one wishes to take some kind of physical vengeance on the artists that perpetrate them
Well that was just ... vicious. Like he hit me with a flower ....
>a disaster, taking the listener into a distorted and degenerate demimonde of paranoia, schizophrenia, degradation, pill-induced violence, and suicide. There are certain records that are so patently offensive that one wishes to take some kind of physical vengeance on the artists that perpetrate them
Well that was just ... vicious. Like he hit me with a flower ....
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Well that was just ... vicious. Like he hit me with a flower ....