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Though arranged marriages were banned in 1950, factory bosses and Communist cadres still did much of the matchmaking, and when a young intellectual named Yan Yunxiang was sent down from Beijing to the village of Xiajia, in China’s northeast, in 1970, he found an abundance of miserable love. Local women had so little say in whom they married that there was a village tradition of sobbing when you left home on your wedding day.

It wasn’t until the eighties that the village elders began to relinquish control over local marriages. Yan Yunxiang eventually became an anthropologist and continued to visit the village over the years. He attended a wedding where the bride was marrying for love and she confided to Yan that she was too happy to sob. She rubbed hot pepper on her handkerchief in order to summon the tears that her parents’ generation expected.


Source:

Osnos, Evan. “Baptized in Civilization” Age of Ambition: Chasing Fortune, Truth and Faith in the New China. London: Vintage, 2014. 46. Print.


Further Reading:

Yan Yunxiang

>Though arranged marriages were banned in 1950, factory bosses and Communist cadres still did much of the matchmaking, and when a young intellectual named Yan Yunxiang was sent down from Beijing to the village of Xiajia, in China’s northeast, in 1970, he found an abundance of miserable love. Local women had so little say in whom they married that there was a village tradition of sobbing when you left home on your wedding day. >It wasn’t until the eighties that the village elders began to relinquish control over local marriages. Yan Yunxiang eventually became an anthropologist and continued to visit the village over the years. He attended a wedding where the bride was marrying for love and she confided to Yan that she was too happy to sob. She rubbed hot pepper on her handkerchief in order to summon the tears that her parents’ generation expected. _______________________ **Source:** Osnos, Evan. “Baptized in Civilization” *Age of Ambition: Chasing Fortune, Truth and Faith in the New China*. London: Vintage, 2014. 46. Print. _______________________ **Further Reading:** [Yan Yunxiang](https://en.wikipedia.org/wiki/Yan_Yunxiang)

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