In the play it was, to say, a rather unflattering view of being in America by immigrants.
> In the play it was, to say, a rather unflattering view of being in America by immigrants.
[Rita Moreno liked to be in America](https://www.youtube.com/watch?v=_e2igZexpMs).
This was Keith Emerson's first commercially successful band. The group was formed in 1967 by Emerson, Lee Jackson, David O'List and Ian Hague to back soul singer P. P. Arnold. After replacing Hague with Brian Davison, the group set out on their own, quickly developing a strong live following. The group's sound was centred on Emerson's Hammond organ showmanship and abuse of the instrument, and their radical rearrangements of classical music themes and Bob Dylan songs.
The band achieved commercial success with an instrumental rearrangement of Leonard Bernstein's "America". This was Keith Emerson's first commercially successful band. The group was formed in 1967 by Emerson, Lee Jackson, David O'List and Ian Hague to back soul singer P. P. Arnold. After replacing Hague with Brian Davison, the group set out on their own, quickly developing a strong live following. The group's sound was centred on Emerson's Hammond organ showmanship and abuse of the instrument, and their radical rearrangements of classical music themes and Bob Dylan songs.
The band achieved commercial success with an instrumental rearrangement of Leonard Bernstein's America from the musical "West Side Story". In the play it was, to say, a rather unflattering view of being in America by immigrants.
This band began their career at the dawning of rock and its sub genres, the closing of the sixties and an era of growing desires to challenge the boundaries of popular music. The four musicians branched out, utilizing and combining classical, jazz, blues and rock music to forge a new and dynamic sound - later to be known as Progressive Rock. The seeds were already sown for the Symphonic and Orchestral style of music that Keith Emerson would champion throughout the decades to come. Following O'List leaving the group, the remaining members carried on as a trio, releasing several albums, before Emerson decided to split the band in early 1970 in order to form Emerson, Lake & Palmer.
The Nice evolved from Gary Farr and the T-Bones, which keyboardist Keith Emerson and bassist Keith "Lee" Jackson were both members of before the band dissolved in early 1967. Emerson then briefly played with the VIPs, who toured the Star-Club in Hamburg, and his playing style became influenced by the organist Don Shinn, including standing up to play the instrument and rocking it on stage. Meanwhile, P. P. Arnold, a performer who reached a higher level of popularity in the UK than her native U.S., was unhappy with her backing band, The Blue Jays, and wanted a replacement. Her driver suggested Emerson would be able to put together such a group. Emerson agreed, but only on the condition the band could perform on their own as a warm-up act. Since it effectively meant getting two bands for the price of one, manager Andrew Loog Oldham readily agreed. Emerson recruited Jackson, drummer Ian Hague and ex-the Attack guitarist David O'List. The name came from Arnold saying, "Here comes the Naz", which the group misheard as "the Nice".
The band played its first gig in May 1967, and had its first major break at the 7th National Jazz and Blues Festival in Windsor on 13 August. Oldham had managed to secure a separate set for the group in a side tent away from also accompanying Arnold on the main stage, where they gained attention. The next week, Welch wrote in the Melody Maker that "it was the first time I had seen a group actually in the act of winning its first following in quite dramatic circumstances". When Arnold went back to her family in the US shortly afterwards, Oldham offered the group a contract of their own. Hague was not interested in the "progressive" direction the group wanted to go in, so he was replaced by former Mark Leeman Five and Habits drummer Brian Davison. Now a band in their own right, the Nice expanded their gear, recruiting roadies Bazz Ward and Lemmy, the latter of whom provided Emerson with a Hitler Youth ceremonial dagger to stick into the keys on his Hammond organ. They spent the end of 1967 on a package tour with Jimi Hendrix, Pink Floyd, the Move and Amen Corner. Pink Floyd's then leader, Syd Barrett, missed several gigs and O'List had to stand in for him." from the musical "West Side Story". In the play it was, to say, a rather unflattering view of being in America by immigrants.
This band began their career at the dawning of rock and its sub genres, the closing of the sixties and an era of growing desires to challenge the boundaries of popular music. The four musicians branched out, utilizing and combining classical, jazz, blues and rock music to forge a new and dynamic sound - later to be known as Progressive Rock. The seeds were already sown for the Symphonic and Orchestral style of music that Keith Emerson would champion throughout the decades to come. Following O'List leaving the group, the remaining members carried on as a trio, releasing several albums, before Emerson decided to split the band in early 1970 in order to form Emerson, Lake & Palmer.
The Nice evolved from Gary Farr and the T-Bones, which keyboardist Keith Emerson and bassist Keith "Lee" Jackson were both members of before the band dissolved in early 1967. Emerson then briefly played with the VIPs, who toured the Star-Club in Hamburg, and his playing style became influenced by the organist Don Shinn, including standing up to play the instrument and rocking it on stage. Meanwhile, P. P. Arnold, a performer who reached a higher level of popularity in the UK than her native U.S., was unhappy with her backing band, The Blue Jays, and wanted a replacement. Her driver suggested Emerson would be able to put together such a group. Emerson agreed, but only on the condition the band could perform on their own as a warm-up act. Since it effectively meant getting two bands for the price of one, manager Andrew Loog Oldham readily agreed. Emerson recruited Jackson, drummer Ian Hague and ex-the Attack guitarist David O'List. The name came from Arnold saying, "Here comes the Naz", which the group misheard as "the Nice".
The band played its first gig in May 1967, and had its first major break at the 7th National Jazz and Blues Festival in Windsor on 13 August. Oldham had managed to secure a separate set for the group in a side tent away from also accompanying Arnold on the main stage, where they gained attention. The next week, Welch wrote in the Melody Maker that "it was the first time I had seen a group actually in the act of winning its first following in quite dramatic circumstances". When Arnold went back to her family in the US shortly afterwards, Oldham offered the group a contract of their own. Hague was not interested in the "progressive" direction the group wanted to go in, so he was replaced by former Mark Leeman Five and Habits drummer Brian Davison. Now a band in their own right, the Nice expanded their gear, recruiting roadies Bazz Ward and Lemmy, the latter of whom provided Emerson with a Hitler Youth ceremonial dagger to stick into the keys on his Hammond organ. They spent the end of 1967 on a package tour with Jimi Hendrix, Pink Floyd, the Move and Amen Corner. Pink Floyd's then leader, Syd Barrett, missed several gigs and O'List had to stand in for him.