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The track was ranked No. 246 on Rolling Stone's list of The 500 Greatest Songs of All Time, and was inducted into the Grammy Hall of Fame in 1999.

As the song was originally used as a backing track for Wilson to use later, it was recorded on July 6, 1967, at Columbia's studios in Chicago. Produced by Carl Davis, the session, arranged by Sonny Sanders, featured bassist James Jamerson, drummer Richard "Pistol" Allen, guitarist Robert White, and keyboardist Johnny Griffith; these four musicians were all members of the Motown Records house band The Funk Brothers who often moonlighted on sessions for Davis to augment the wages paid by Motown.

According to Carl Davis, the Funk Brothers "used to come over on the weekends from Detroit. They'd load up in the van and come over to Chicago, and I would pay 'em double scale, and I'd pay 'em in cash." Similarly two of Motown's house session singers The Andantes, Jackie Hicks and Marlene Barrow, along with Pat Lewis (who was filling in for Andante Louvain Demps), performed on the session for "Higher and Higher". The song was originally written by Chess Records' in-house writers and producers, Carl Smith and Raynard Miner, and initially recorded by The Dells for the label but not released. Another writer, Gary Jackson made some changes to the song and pitched it to Davis at Brunswick. When the singer recorded his vocal track, Davis recalls, Wilson originally sang the song "like a soul ballad. I said that's totally wrong. You have to jump and go with the percussion... If he didn't want to sing it that way, I would put my voice on the record and sell millions." After hearing Davis's advice, Wilson cut the lead vocal for "Higher and Higher" in a single take.