This is one of those songs where you're very, very busy. You'll want both feet and a lot of presets. In a number of places, you're letting the delay do the work while you're already working on the next riff. You'll be pressing your pedals in reverse. You'll hit both the fuzz and the distortion pedal before you actually need them, start playing, and then you'll tap the delay pedal just as you finish playing the first note. That's how you get the overlap that you'll hear.
This is one of those songs where you're very, very busy. You'll want both feet and a lot of presets. In a number of places, you're letting the delay do the work while you're already working on the next riff. You'll be pressing your pedals in reverse. You'll hit both the fuzz and the distortion pedal before you actually need them, start playing, and then you'll tap the delay pedal just as you finish playing the first note. That's how you get the overlap that you'll hear.
This is one of those songs where you're very, very busy. You'll want both feet and a lot of presets. In a number of places, you're letting the delay do the work while you're already working on the next riff. You'll be pressing your pedals in reverse. You'll hit both the fuzz and the distortion pedal before you actually need them, start playing, and then you'll tap the delay pedal just as you finish playing the first note. That's how you get the overlap that you'll hear.